The Body-Crossroads is a research on the creative process of the same name, which in the
form of a musical scenic rite honors Exu and the People of the Street, a project that arises
from practices aimed at queer theory and transvestism in the street, and the subsequent contact
with forest medicine, specifically with the use made within the syncretic doctrine of Santo
Daime in Belém do Pará since 2015, and consequently the license and the search for practice
and afro-religious philosophy in a temple of Candomblé of Angola, the Rundembo Gunzo de
Bamburucema Mameto de Inkissi Muagile Oto Torodê in 2016. The organization of my path
as subject-researcher occurs through a methodological technique of research that launches the
image-force of the crossroads as a research strategy used with the intention of unveiling and
understanding the masks of the subject-researcher dividing the body into three ways of a
crossroads: the ancestral body, the political body and the magical body, marked by life stories
and practices within art, politics and religion. The image of Encruzilhada also traces the
spelling of the research methodology that counts on the Ethnoscenology as an instigating field
for the accomplishment of this study as an epistemological basis, along with the correlation
Auto-Ethnography, and in the third way Natal Astrology that allows to relate sections of the
path of the artist-researcher-participant with the natal chart, opening the way to new forms of
conceiving the creative process within the research in Arts.
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