This work is a record of my personal history, my teaching activity and my
training in theater, amalgamated in a scenic experiment, Caboclada à
Lebanese. The writing of these experiences was configured in my object of
study, starting from Durkheim's ideas of collective memory and Walter
Benjamim's memory and orality, emphasizing the experience in the construction
of knowledge. The poetic construction process had as reference the idea of
personal dramaturgy of the actor and life stories, by Wlad Lima, on the influence
of the life story in brazilian theater, a contemporary method of theatrical
creation. The writing had as a fundamental dialogue the memories, perceptions
and poetic analyzes of the researcher and advisor Karine Jansen, in addition to
working with the artist-analyst Wlad Lima, who instigated me to write about my
place of origin and about the people who allowed me to my constitution, based
on the program Heart Spirals, Boiúna dance, used in her Clinics of the
Sensitive project. The research, during the graduation in Theater course, helped
me to better understand the history of the Lebanese in Pará and the whole story
of my riverside family, told throughout this work. This theme was chosen for my
research and poetic elaboration because it moves me inside myself and
towards the world. It was from my relationship with my father, who was always
and still is very present with his knowledge of the world, that I was able to think
about existence in a poetic way, animating my soul.
|
