Trabalho de Conclusão de Curso - Graduação

Dança partilhada: um caminho de movimento para o intérprete-criador

Is monograph is the phenomenological method, applied research an interpreter-creator that through data collection in experimental research, action, lifting, dialogues on the condition of the artist-creator in contemporary dance from the reflection on creating, interface of an interpreter-creator and...

ver descrição completa

Autor principal: VELOSO, Alissy Maynara de Araújo
Grau: Trabalho de Conclusão de Curso - Graduação
Publicado em: 2018
Assuntos:
Acesso em linha: http://bdm.ufpa.br/jspui/handle/prefix/748
Resumo:
Is monograph is the phenomenological method, applied research an interpreter-creator that through data collection in experimental research, action, lifting, dialogues on the condition of the artist-creator in contemporary dance from the reflection on creating, interface of an interpreter-creator and his sharing as an artist and a social work to qualitative (dynamics between the real world and the subject). The field study was the Footlights Dance Company, in which I am a member, and this work talk the Show Retractions (2014), as selected material to walk with vigor in this place and to have a more skilled look to treat the process creating the work " ready "and interfaces that an interpreter-creator takes in their choices thus have the general objective: to investigate the process of interpreter-creator as the path to a shared dance, which leads me against the following problem that guides my object research: How the artist-creator in his creation process perceives a shared dance? Research permeates through the "diary of a Interpreter," "the bloom of a shared dance: delimitation of my place, his and our" and "retractions: a creative process" with the theoretical support of the phenomenological method SADALA; About process OSTROWER creation (2013), BRITTO (2010), SILVA (2007); About interpreter-creator BRIKMAN (1989), ENTITY (2011), FERREIRA (2012), ANTUNES (2006); About locus Ribalta MAYRLA FERREIRA (2012); About spectacle analysis PAVIS (1947); About Anantapur OLIVEIRA. As a sensory collection along these the construction of this work was thought facilitative way for everyone to read, can understand that this research is not restricted only to those who dance, but also to all who are interested and feel the need to create and take on this role for you, embargo with examples in everyday and most images as form and strength approaches the reader, interpreter-creator of life.