Comics is a language that uses textual and pictorial resources for production of meaning.
More than just the sum of these resources, comics is a noteworthy hybrid with unique
expressive features to production of discourse and statements. As a vehicle of cultural
industry, but not only contained in it, the comic play a dual role, at the same time they act as
mass media, it's also a language that through its conditions of its historical possibilities,
provide the appearance of subjects knowledges. Historically, Brazilian indigenous societies
undergo a process of adjustment to a homogeneous culture colonialism, be it historical, be it
cultural, be it ethnic genocide. The representation of brazilian’s indigenous in materiality of
the cultural industry is commonly marked by standardization of subjectivity and stereotyping
images. Presenting the language of comics and their characteristics, this paper will examine,
through archgeneological method if such subjective processes of indigenous peoples are
present in a materiality clipping comic produced in the cultural industry. Also discuss the
process of emergence of indigenous subjects knowledges by Tembe-Tenetehara's statements
in comic language, made from workshops held in the Aldeia Sede as part of a participative
field research presented here through a ethnography draw and comics.
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