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Monografia
A noção de arte camponesa presente nas obras de Portinari
This course conclusion work (TCC) is a reflection on the notion of Peasant Art present in Portinari's works and its main objective is to analyze the chosen works which are: Retirantes (1944), Café (1935), Lavrador de Café (1934) ) and Mestiço (1935). To this end, I did a bibliographic search in o...
Autor principal: | Rocha, Rosinete Gomes da |
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Grau: | Monografia |
Idioma: | pt_BR |
Publicado em: |
Universidade Federal do Tocantins
2022
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Assuntos: | |
Acesso em linha: |
http://hdl.handle.net/11612/4381 |
Resumo: |
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This course conclusion work (TCC) is a reflection on the notion of Peasant Art
present in Portinari's works and its main objective is to analyze the chosen works
which are: Retirantes (1944), Café (1935), Lavrador de Café (1934) ) and Mestiço
(1935). To this end, I did a bibliographic search in order to formulate the research
problem on what may be “Peasant Art”, follow the schedule, as organizing the study
time is important in formulating the bibliographic research problem, without forgetting
of data collection, because it is through it that we have managed to organize the
study material necessary for the analysis, using an objective, clear and
understandable language. To arrive at this concept, I first studied the concepts of art
and peasant culture. After choosing these five works by Cândido Portinari, I carried
out their analysis. Researching this painter motivated me a lot to not give up and
move on with my research, as I was dazzled by the concern that Portinari had with
the working class, less favored, and how he emphasized the artistic characteristics of
Afro-Brazilian. The result of this study involved readings on the topic. Finally, it was
necessary to analyze the four selected works by Portinari through documentary
research. In view of the research developed, I realized that the analyzed works can
be considered Peasant Art. |