Cinema e literatura: o trânsito intersemiótico em “Bonitinha, mas ordinária”, de Nelson Rodrigues
Literature and cinema, sign production, whose relation becomes possible because (among other many possibilities) of Visuality printed in both textual modes, allows the literary text transformation movies. Today is not that the film uses other gear or other signs for the construction, reconstruction,...
| Autor principal: | MARIA, João Leno Pereira de |
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| Grau: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Pará
2017
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| Assuntos: | |
| Acesso em linha: |
http://repositorio.ufpa.br/jspui/handle/2011/7879 |
| Resumo: |
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Literature and cinema, sign production, whose relation becomes possible because (among other many possibilities) of Visuality printed in both textual modes, allows the literary text transformation movies. Today is not that the film uses other gear or other signs for the construction, reconstruction, creation and filmic recreation. In contemporary times, this process is called of intersemiotic translation, is so unusual: If before the cinema if value of literature as hipotexto, this time, the literature is the cinema for its creation-verbal narrative. Our corpus analysis of the films will be "cute but ordinary", directed by JB de Carvalho, Braz Chediak and Moacir Goes, based on the play's namesake playwright Nelson Rodrigues. |